In addition to traditional Hanfu styles, we also offer clothing with innovative designs, allowing you to be at the forefront of fashion while maintaining respect for tradition.
In addition to traditional Hanfu styles, we also offer clothing with innovative designs, allowing you to be at the forefront of fashion while maintaining respect for tradition.
BEIJING, Aug 26 (Reuters) – The moment the metal singer Shui Shu spread his arms, Buddhist prayer beads in hand and incense wafting from the stage, his band unleashed a wall of sound on the crowd. The rapt audience of about 200, many wearing masks, swayed gingerly. By the end of his set, most masks were off. By the time the night’s third band took the stage, the hall was a mosh pit, arms flailing and legs kicking with energy built up during six months of coronavirus shutdowns that kept the lights off in Beijing’s underground music venues. Live venues in Beijing were recently allowed to reopen at 50 percent capacity, as life in China increasingly returns to normal. Brazilian metal fan Daniel da Silva Anana, who had packed in among the moshing fans, said he was more worried about slipping on a floor wet with spilled drinks than the coronavirus. Shui Shu said about his spiritually inspired music that has been released by French label Anesthetize Productions. Shui Shu’s band Bliss-Illusion is part of the country’s small but buoyant heavy metal scene, where bands mix genre standards with Chinese elements. Black metal is a sub-genre that creates a dark, moody atmosphere layering heavily distorted guitars and high-pitched vocals. COVID-19 restrictions had put a halt to rehearsals and performances in a Beijing underground music scene that had been under pressure in recent years, including from local authorities who sometimes shut down events, chinese hanfu pink and green club managers and promoters said. Shunzi, lead singer of folk-metal band Dream Spirit, whose members perform in traditional Chinese hanfu garments, used the downtime to write songs, including one about the workers who built two emergency hospitals in Wuhan, the city where the coronavirus was first detected.
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Yupei (Chinese: 玉佩; pinyin: Yùpèi) is a generic term for jade pendants. Yupei were popular even before Confucius was born. 18 it is also associated with positive qualities and aspects such as purity, excellence, and harmony. 94Jade is even more valued than gold in Chinese culture. 94 The history of the art of jade carving in China to make ornaments, including dress ornaments, extends back to before 5000 BC. Ancient Chinese held even greater importance to yupei after it was regarded as a moral integrity by Confucius. 39 Strings of jade pendant are also used to decorate headwear, such as the mianguan. Yupei (Chinese: 玉佩; pinyin: Yùpèi) is composed of the Chinese character yu (Chinese: 玉) which literally means ‘jade’ and pei (Chinese: 佩) which means ‘pendant’. 31 The True jade (Chinese: 真玉; pinyin: Zhēnyù) in China is actually the nephrite, which have been used and prized for millennia in China. 31 It is only since the 18th century that jadeite (from Burma) was discovered by Chinese carvers and started to be used in China. 237 Jadeite became popular in jewellery making due to its bright green colour. 18-20 Jade in the form of huang were also popular in the making of yupei and had a rigid and specific rules attached to its use. Yupei could be stringed together to make an ensemble of jade pendants (which would hold at the belt and could also be composed of chains of bi (璧; jade discs or jade rings). 94) appeared as early as the Liangzhu Neolithic culture (c. Jinbu appeared thousands of years ago and were initially only worn by nobles, but with time, it was gradually adopted by all women regardless of their social ranks. Zhenjiang and Jiangsu provinces. When (the king or ruler) was walking quickly (to the court of audience), he did so to the music of the Cai Qi; when walking more quickly (back to the reception-hall), they played the Si Xia. The jinbu also used to be an indicator of elegance and etiquette in ancient times: if the behavior of its wearer is discourteous (i.e. walking too fast), the jinbu would sound loud and thus, the jinbu would remind the wearer to mind his manners and elegance; on the other hand, if its wearer behave appropriately, the jinbu would sound melodic and pleasant. When turning round, he made a complete circle; when turning in another direction, he did so at a right angle. When advancing, he inclined forward a little; he held himself up straight; and in all these movements, the pieces of jade emitted their tinklings. So also the man of rank, when in his carriage, heard the harmonious sounds of its bells; and, when walking, those of his pendant jade-stones; and in this way evil and depraved thoughts found no entrance into his mind. 18-19 and semi-disc shape (half-bi) jade pendants. 30 Huang and half-bi were sometimes used as component of an ensemble of jade pendant. 8 Strings of jade could also be combined with other forms of jade pendants. Chinese Jade pendant in the form of a bi, 2000-1500 B.C. 37-38 Jade pendants worn as necklace appeared as early as the Liangzhu culture. Bird-shaped yupei, Shang dynasty. Fish-shaped yupei, Shang dynasty. 56-63 who would then compare the qualities of a jade to the 5 virtues (kindness, wisdom, integrity, courage, and purity) of a gentleman (junzi) in the Book of Rites (Liji). White jade, Hotan jade in particular, was well-liked in the Western Zhou; however, strict regulations on the use of jades, based on their qualities and colours, were established. In the Western Zhou, people started to associate moral connotations to the use of jade, such as morality. 56-57 Ensemble of yupei (jinbu) were a distinctive form of ritual jade ware in the Western Zhou dynasty, and jades in huang shape were dominant types of yupei found in the ensemble. 56-57 While rulers of the Western Zhou would use expensive jades (like white Hotan jade), people of lower status could only use common jades. In the Zhou dynasty, ensemble of yupei would often hang down at the waist belt of its wearer. 58 The jade pendant ensemble consisted of various parts which had to be connected together based on certain rules. 20 Ensemble of yupei which were made entirely of jade may have only used by rulers of kingdoms (possibly dukes, marquises, their wives and aristocrats of similar titles) as the ritual system which is stipulated in the Liji indicates that pure jade could not be used by the ministers of kings. The son of Heaven had his pendant composed of beads of white jade, hung on dark-coloured strings; a duke or marquis, his of jade-beads of hill-azure, on vermilion strings; a Great officer, his of beads of aqua-marine, on black strings; an heir-son, his of beads of Yu jade, on variegated strings; an ordinary officer, his of beads of jade-like quartz, on orange-coloured strings. Confucius wore at his pendant balls of ivory, five inches (round), on gray strings. All wore the jade-stone pendant at the girdle, excepting during the mourning rites. Moreover, according to the Confucian jade-related belief system which also stems from the Liji: in ancient China, yupei ensemble (which symbolizes virtue) must always been worn by gentlemen except when they are mourning. 111 Wearing yupei ensemble also served to: (1) remind its wearer to walk in an orderly manner which would eventually make gentlemen develop an elegant and regular walking pattern over the years despite being constrained by the jade pendants, and (2) remind the gentlemen to behave according to the decorum which is based on the sound of the jade tinkles when they walk. Yupei ensemble, Western Zhou. Jade pendants in the form of stags, Western Zhou. It is confirmed based on paintings and stone engravings that ensemble of jade pendants were suspended from the belt of women in the Tang dynasty. Jade Huang from a yupei ensemble, Western Zhou. In Qing, it was popular for women to wear green, translucent jade jewelries; pendants which were carved in the shape of a curving dragon was popular. Ensemble of Yupei (玉佩), Tang dynasty. Yupei carved with dragons, Qing dynasty, 20th century. 2003). Zhongguo chuan tong fu shi. Zang, Yingchun; 臧迎春. Beijing: Wu zhou chuan bo chu ban she. Yu, Ming (2011). Chinese jade (Updated ed.). Cambridge, UK: Cambridge University Press. 李竹润., 王德华., hanfu dress female 顾映晨. Metropolitan Museum of Art (1987). Ancient Chinese art : the Ernest Erickson Collection in the Metropolitan Museum of Art. Jane Portal, ed. (2007). The first emperor : China’s Terracotta Army. Cambridge, Mass.: Harvard University Press. Maxwell K. Hearn. New York: The Museum. Sax, Margaret; Meeks, Nigel D; Michaelson, Carol; Middleton, Andrew P (October 2004). “The identification of carving techniques on Chinese jade”. Journal of Archaeological Science. 31 (10): 1413-1428. Bibcode:2004JArSc..31.1413S. Wang, Guozhen (2019). Collection of Ancient Chinese Cultural Relics. So, Jenny F. (2019). “Connecting friend and foe: Western Zhou personal regalia in jade and colored stones”. Archaeological Research in Asia. Vol. 1. Adelaide: ATF Press. Berkeley, Calif.: University of California Press. Perkins, Dorothy (2013). Encyclopedia of China : History and Culture. Sullivan, Michael (1999). The arts of China (4th ed., expanded and rev ed.). Hoboken: Taylor and Francis. Zhang, Minghua (2004). Chinese jade : power and delicacy in a majestic art (1st ed.). San Francisco: Long River Press. New Haven: Yale University Press. Angela Falco Howard; Song Li; Hung Wu; Hong Yang (2006). Chinese sculpture. Needham, Joseph (1981). Science in traditional China : a comparative perspective. Hong Kong: Chinese University Press. Jennhwan Wang; Ray-May Hsung, eds. 2016). Rethinking social capital and entrepreneurship in Greater China : is guanxi still important? Confucius (1997). Huang, Chichung (ed.). Clark, Carol (1998). Tropical gemstones. Lun yu. New York: Oxford University Press. Singapore: Periplus Editions. p. This page was last edited on 28 June 2024, at 11:29 (UTC). By using this site, you agree to the Terms of Use and Privacy Policy. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.
Ping means flat. One of the key elements of Hanfu is that it doesn’t have shoulder lines, meaning the outfit uses just one plain cut of fabric. Zhong means centralized. The cutting and tailoring abide by the rule of symmetrical tailoring and stitching. The word “You” is stressed, meaning everything must move to the right, including how the front is closed. Jiao means the elements of Hanfu are designed to cross and overlap, upholding a belief in traditional Chinese culture: the balance of Yin and Yang. The fifth one is Kuan, meaning width. Hanfu outfits have loose-fitting upper sleeves and bottom. It reminds the wearer to walk with grace and to observe etiquettes. The edges have to be neat and clean with no dangling threads, while the sleeves should come together and meet. Last, but not least is the embellishment. Tuan and He refer to the edges and sleeves. Instead of buttons, qipao a band is used to hold up all the pieces.
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Yukata vs Kimono: What’s the Difference? When it comes to Japanese clothing, there’s no piece more iconic than the kimono. A traditional garment, steeped in history but still very much of the present day; there’s a lot to be said about the kimono and its summer counterpart, the yukata. The question that comes to mind first though is: what is the difference between a kimono and a yukata? 1. What is a Kimono? The word kimono comes from two characters: ki (着) to wear, and mono (物) meaning thing, so basically, a kimono is simply a thing you wear! For centuries Japan looked to China for inspiration, including in fashion. Here are the answers to your questions on these two most popular items of traditional Japanese fashion. The kimono in its most essential form is four separate pieces of fabric sewn into a T-shape, held together with intricate folds, all secured with a belt known as an obi. The kimono became a popular garment in Japan because, despite its many layers, it was relatively practical. The kimono was essentially a localized version of the traditional Chinese garment, the hanfu. In the snowy winters, a thickly layered kimono made from cotton and silk could be worn as a way to battle the elements, while still looking good. Today a similar ideology still exists but in a more modern form. These types of kimono are also excellent for first-time users. These days polyester kimono are particularly popular with Japanese women as they’re warm, versatile, available in a broad range of colors and easily machine washable. You can take a look at our selection of women’s kimono here. 2.What is a Yukata? As a T-shaped thing you wear, the yukata is a type of kimono. They are sometimes described as yukata kimono, a type of summer kimono, but are more often referred to as a separate category. Far lighter (in terms of material), more casual, and versatile; their role sits somewhere between breezy summer dress, kimono, and robe. The name yukata (浴衣) translates to bathing cloth, which is how the original item came about. Typically worn during the sweltering summer months, a yukata is most commonly made from breathable fabrics like cotton or thin, synthetic fabric. Similar to a bathrobe or dressing gown in the west, they were originally worn by bathers hopping from one hot tub to the next. These days however, the yukata has evolved into a summer kimono owned by all discerning Japanese fashion fans. 3. So, What’s the Difference Between a Yukata and a Kimono? You can browse our selection of women’s yukata here. Materials: A traditional version of a yukata is most commonly made from cotton. Let’s run through the main differences between kimono vs yukata, including the materials, style, and when & where they are worn. This is for two main reasons: firstly it’s one of the most comfortable and breathable fabrics, ideal for Japan’s long hot summers. Modern yukata designed to be worn at festivals are also sometimes made from synthetic materials, which can be even more efficient at evaporating moisture away from the skin. Secondly, cotton is quick to dry, making it the ideal material for soaking up any extra moisture left on the body post-bath. Style: The yukata is quite similar to a bathrobe or dressing gown in terms of style, hanfu song dynasty and is usually worn with less formality and accessories than a kimono. Perhaps the most obvious difference between a kimono and yukata, at least if you’re wearing it yourself, is that kimono usually (although not always) have an interior lining, whereas yukata never do, and are sewn from a single layer of fabric. Expensive silk or ornately decorated kimono are very rarely washed, so are worn with an inner layer, known as a nagajuban, which keeps the outer garment clean and dry. Yukata on the other hand are much easier to clean, and so are usually worn without a nagajuban. Occasion: Yukata are festive, and are often worn for parties, festivals, and events such as firework displays. Although it may be difficult to tell the difference for an outsider, wearing a thin, brightly-colored yukata to an auspicious occasion might come across as too casual! Unlike kimono, however, they are not worn at formal ceremonial events. 4. What About for Men? As with women’s kimono, men’s kimono and yukata are mainly distinguished by materials: kimono are usually silk, whereas yukata, lightweight robes for the summer months, are usually made from cotton or linen. What’s the Difference Between Kimono and Yukata for Men? This isn’t a hard-and-fast rule however, as kimono can also be made of cotton or linen. Men’s kimono are often in subdued natural tones like navy, brown, or black, emphasising the material itself rather than elaborate patterns. If you find a thinner men’s kimono with more patterns and colors, then you’re probably looking at a yukata. An alternative to the yukata for men to wear in the summer is jinbei. Jinbei are two-piece garments consisting of a kimono-like top and loose-fitting, mid-calf length trousers. Are more useful metric is the pattern. The best are made from natural fabrics; you can take a look at some men’s jinbei in our collection. 5. What are the Differences Between Obi for Kimono and Obi for Yukata? The primary difference between obi belts for yukata, and obi belts for kimono is the formality. You can also wear a hanhaba obi with a kimono, depending on the occasion and personal taste, but it’s less common to wear a formal kimono with yukata, mainly because they tend to be too thick and heavy for the summer months. Both cotton and silk obi can be decorated with obijime and obidome. Yukata are usually paired with simpler, narrower hanhaba obi, whereas kimono are more often worn with elaborate and formal silk obi. Obijime are decorative cords that hold the obi sash and the rear knot in place. They can be made from tortoise shell, lacquer, glass, pearls and precious stones, or wood carvings. Obijime and obidome can be used to accentuate the knots and twists on the obi of a yukata and kimono. An obidome is a brooch or buckle-like item that attaches to the obijime. Think of these pieces as a way to add depth to your outfit! The classic undergarment for a kimono is a plain robe-like garment called a nagajuban. They are usually made from cotton or synthetic materials such as polyester, and layered underneath the kimono to prevent wear, tear, and stains. Nagajuban have a white or contrasting collar, but the collar is only visible when paired with a kimono. 6. What are the Differences between Underwear for Yukata vs Kimono Underwear? Instead a simple kimono slip, or lightweight vest for men, performs the same function. As yukata are worn in warmer weather, they are not usually paired with a nagajuban. Traditional Japanese footwear includes geta, setta, and zori. 7. What are the Differences Between Footwear for Kimono and Yukata Footwear? They all are worn the same way, like beach sandals, with the hanao, or thong, going between the big toe and the second toe. However, when you look at their soles, you will see noticeable differences. Geta are usually made from wooden with wooden stilts, while zori have a tilted platform. You can read more in 12 Things to Know about Japanese Sandals. Kimono and yukata can be worn with any of these shoes, but traditional zori tend to be very formal and so are not usually worn with yukata. Our zori (for men or women) however, are a much more causal style that can be worn with yukata – or indeed with any outfit! Colder weather and more formal occasions also require the use of tabi socks (for both men and women), which having a matching split toe to make them comfortable to wear with Japanese sandals. Setta, on the other hand, are flat. 8. What are the Difference in Hairstyles for Kimono compared to Yukata? Kimono hairstyles are decorated with combs and hairpins called kanzashi. Outside of these occasions, hairdos are a matter of personal taste. As yukata are associated with the summer months as the preferred outfit of festival, people tend to wear their hair in a way that will be comfortable in the warmth of a summer’s evening. 9. What are the Differences Between Yukata and Kimono Jackets? More elaborate hairstyles, such as those associated with geisha, maiko, and brides sometimes use wigs. Yukata are worn during the summer months in Japan, and are rarely paired with any sort of jacket. With that said, it’s not uncommon to wear a yukata if you’re a guest at a traditional inn known as a ryokan, where you’ll find a yukata in your room, even during the winter. In this case, you might wear a hanten, or tanzen. Both are padded outer garments with the primary difference being length. The hanten, on the other hand, stops mid-thigh, and fastens with front strings. Kimono, on the other hand, are often styled with haori (for women or men), a formal silk jacket that stops at the hip or thigh. Tanzen are full-length outer robes worn like a kimono or yukata, and fastened with an obi (sash). On more formal occasions the better option may be a michiyuki, a single-breasted button overcoat with a square-shaped neckline. Broadly speaking, kimono are more often made from silk while yukata are usually made from cotton or linen. 10. What are the Differences Between Kimono and Yukata Fabrics? 11. What’s the Price Difference Between Yukata and Kimono? The source and quality of the fabric, embellishments, and craftsmanship can increase the value of a kimono or yukata. To the untrained eye, kimono and yukata look similar, but the formality involved makes a big difference in price. Let’s start with the materials. Understanding what makes a kimono different from a yukata is key to understanding the cost between these two garments. Formal kimono of the highest order are often made from Nishijin brocade sourced from Kyoto, the capital of Japan’s silk industry. These kimono are hand dyed, stitched together by hand, and embellished with fine embroidery using gold and silver threads. They are worn proudly on auspicious occasions like weddings and Coming of Age ceremonies. Fine kimono of this calibre become valuable heirlooms passed down from mother to daughter to granddaughter. At the other end of the scale, a simple cotton yukata, made from commercially dyed fabric, will be considerably less expensive than a yukata made domestically. As a rule of thumb, casual yukata can be purchased from between $50-150, while the more expensive pieces can go for up to $500. For a new silk kimono however, $500 is just the starting price, and the most expensive kimono can cost thousands of dollars. A great way to reduce the price tag on silk kimono is to consider vintage kimono, whether for men or women. In this way you can find premium one-of-a-kind kimono, handcrafted in 100% pure silk in almost perfect condition at a fraction of the original cost. Today, the yukata is also most often seen at summer festivals, processions and picnics. 12. Where, When and How to Wear Yukata? In Japan where public communal baths like onsens and sentos are common, the yukata was also (and still is) worn as a quick, easy garment to slip on en-route to and from the bath. Their light, breezy comfortable fit, but aesthetic nod to traditional Japanese style makes the yukata the ideal apparel for the festive, warmer spring and summer months. Given the still high-level popularity of the yukata in recent years, it’s become more intricately designed. Mirroring the aesthetics of the kimono it’s most common to see women in brightly colored floral designed yukata, while men wear more muted or block-colour style pieces. Head to a hot spring bath today, and chances are you’ll be putting one on yourself! It can also be worn in the same way as the most elaborate kimono. Putting on a yukata can be as simple as wrapping it around yourself like a bathrobe (always remembering to wrap left over right!). Check out our How to Wear Kimono video tutorial to see the easiest way to wear a kimono or yukata. Different types of kimono are worn in Japan depending on the event. For example, formal occasions such as weddings, call for men to wear black kimono, hakama, and haori while women will select a kimono based on their marital status or proximity to the bride/groom. 13. Where, When and How to Wear Kimono? Check out our video on How to Tie an Obi Belt to find out more. 14. What Other Types of Kimono are There? The biggest difference between how kimono are worn on these occasions is in how the obi is tied. Over the centuries the kimono morphed into something quite removed from its Chinese roots. As a uniquely Japanese garment, a kimono was an artisanal item, decorated with beautiful art and imbued with nuanced meaning. Homon-gi (訪問着): If there were one party kimono it’d be this, the semi-formal Homon-gi. What kimono one could wear depended on a multitude of criteria including profession, marital status, gender, and event, as we have seen with one example in the yukata. Worn by all women regardless of marital status, you’ll typically see this kimono at weddings and tea parties. Tsuke-sage (付け下げ): A more casual, simple version of the Homon-gi, it features separated decorations, which do not link together across the garment. This kimono is typically worn by women during semi-formal events like fancy dinners and school reunions. It’s characterized by a common pattern that features across the dress, known as an eba-moyo. Kuro Tomesode (黒留袖): Also known as just tomesode this is the most formal kimono you’ll see worn by married women. Iro Tomesode (色留袖): If a woman is unmarried but is also attending an auspicious occasion, then she may wear this. Often used for milestone events like weddings, this predominantly black kimono features prints on the bottom part, and are also often fringed with gold. However unlike the tomesode, marital status doesn’t dictate whether or not you can wear this kimono, as many married women wear them too. It’s essentially a colored version of the kuro tomesode and only has patterns along the hem as opposed to across the whole garment. Covered in vibrant, attention-commanding patterns, it’s typically worn at coming of age festivals or for events like wedding, specifically by the bride when she’s changing dresses during a wedding. Furisode (振袖): This single’s version of a formal kimono is traditionally worn by unmarried women only. Komon (小紋): A more casual incarnation of the kimono, komon are worn to special events, but are not considered suitable wear for ceremonial occasions. Usually worn for activities like going to the theater, shopping or heading out for dinner. Iro-muji (色無地): Potentially the most versatile of all kimono, iro-muji kimonos are single, block color garments that can be worn both at celebrations and condolences. Women often pair the kimono with different accessories and obi-belts as a way to signify the meaning of the kimono. The most common type of men’s kimono you’ll see is the montsuki (紋付). Kimonos for men are far less varied, and typically feature much more muted colors and designs. It’s a typically black, often silk-made kimono worn over traditional Japanese clothing known as hakama. 15. Should I Buy a Kimono or Yukata? It’s actually more common to see men in a yukata than a kimono. If you’re thinking about yukata vs kimono in terms of which you want to buy, then it all comes down to two main questions: where do you want to wear it, and how hot is it? If it’s very hot, you’re better off buying a yukata. In any other circumstances, you can be free to follow your heart! Don’t worry about what type of kimono you’re looking for, and instead find the color, pattern and material that you love. Like fashion the world over, the most important thing in choosing a kimono is to feel great and enjoy yourself! If you’re buying it to wear to a formal event, such as a wedding, or if the weather is cold, then you should get a kimono. 16. Where to Buy Kimono and Yukata? You’ve come to the right place! Looking to buy an authentic kimono or yukata directly from Japan? In addition, we have all the accessories you need to complete your look, from head to toe – literally! Hi Son Le! Yes of course! Men often wear kimono or yukata for events, or simply because they enjoy the style! At the Japan Objects Store we have a selection of vintage kimono, new washable kimono and yukata for both men and women. Can a men wear Kimono or Yukata in public? Thanks for all of analysis and explanation about Japanese traditional clothing. How can I incorporate Yukata or Kimono into everyday clothing? For example, would it be inappropriate to wear an Obi belt with a lightweight sleeveless yukata over a pair of luxurious jeans with heels? I love to wear infused global looks that appeal to casual and business dressing yet still tell a story.
Weddings are a celebration of love, tradition, and the promise of a shared future. In the realm of Chinese cultural heritage, the Hanfu wedding dress stands as a testament to the timeless elegance and rich history of marital unions. From the classic allure of white Hanfu wedding dresses to the vibrant symbolism of red Hanfu wedding dresses, and the embrace of traditional designs, each variation tells a unique story of cultural significance and personal style. In Chinese culture, red is a color associated with good luck, joy, and prosperity. Red Hanfu wedding dresses have deep-rooted cultural significance, symbolizing not only the happiness of the bride and groom but also warding off evil spirits. The popularity of red Hanfu wedding dresses can be traced back to the Ming and Qing Dynasties, where vibrant red robes adorned with gold embroidery became synonymous with bridal attire. The choice of red for a wedding dress is a nod to tradition and a celebration of the auspicious nature of the occasion. Modern red Hanfu wedding dresses showcase a fusion of traditional aesthetics with contemporary design elements. These dresses often featured intricate details, such as dragon and phoenix motifs, symbolizing the harmonious union of the bride and groom. Embroidery may range from intricate traditional patterns to more abstract, artistic interpretations. In the context of Western weddings, white is often associated with purity and innocence. Brides may choose from a variety of styles, including the classic Ming and Qing Dynasty silhouettes or more modern, fitted designs. However, in the Chinese cultural context, white has additional layers of symbolism. White is the color of mourning, and thus, it is rarely worn at joyous occasions like weddings. Nevertheless, the emergence of white Hanfu wedding dresses signifies a blend of cultural appreciation and contemporary trends. Modern white Hanfu wedding dresses draw inspiration from traditional Chinese aesthetics while incorporating elements of Western bridal fashion. Silhouettes may range from the classic flowing robes of the Tang Dynasty to the more fitted and adorned Ming and Qing Dynasty styles. Delicate embroidery, floral patterns, and subtle gold or silver accents add a touch of opulence to the simplicity of white. White Hanfu wedding dresses are often crafted from luxurious fabrics such as silk or satin, showcasing the quality and opulence befitting the occasion. Intricate embroidery, often depicting auspicious symbols or scenes from nature, adds a layer of timeless beauty. Pearls and other gemstone embellishments may be delicately sewn into the fabric or used as accessories to enhance the bridal ensemble. A traditional Hanfu wedding dress often draws inspiration from historical eras such as the Han, Tang, Ming, or Qing Dynasties. The choice of traditional designs reflects a deep appreciation for cultural heritage and a desire to infuse the wedding ceremony with historical significance. These dresses echo the aesthetics of ancient China, featuring flowing silhouettes, wide sleeves, and elaborate embroidery. The dresses are often characterized by their intricate details, including ornate headpieces, elaborate jewelry, and layered accessories that contribute to the overall regality of the bride. Hanfu wedding dresses, regardless of color or style, are often crafted from luxurious fabrics that befit the importance of the occasion. Traditional Hanfu wedding dresses are not merely garments; they are ceremonial attire that captures the essence of formality and cultural pride. The choice of fabric contributes to the overall texture and appearance of the dress. Silk, satin, and brocade are commonly used, offering a combination of comfort, elegance, and a lustrous finish. From symbolic motifs such as dragons and phoenixes to delicate floral arrangements, the embroidery on a Hanfu wedding dress is a canvas of artistic expression, infusing the garment with cultural meaning. Embroidery is a hallmark of Hanfu wedding dresses, with artisans using traditional techniques to create intricate patterns and designs. Pearls, gemstones, and gold accents may be delicately sewn into the fabric or used as accessories to enhance the overall bridal ensemble. Hanfu wedding dresses are often adorned with embellishments that add a touch of opulence to the attire. In recent years, there has been a notable resurgence of interest in traditional Chinese weddings, with modern couples choosing to exchange vows in Hanfu attire. These embellishments contribute to the ceremonial and celebratory nature of the wedding attire. Modern brides and grooms often seek to customize their Hanfu wedding attire, tailoring it to their individual tastes and preferences. This cultural revival represents a desire to reconnect with historical roots, celebrate Chinese heritage, and infuse wedding ceremonies with a sense of timeless elegance. Designers and couples collaborate to create unique dresses that blend traditional elements with modern twists, allowing for a personal and meaningful touch to the ceremonial garments. Whether adorned in the pristine elegance of white, the auspicious vibrancy of red, or the timeless beauty of traditional designs, each Hanfu wedding dress tells a story that transcends time and resonates with cultural pride. Stepping into the world of Hanfu wedding dresses is not just a matter of choosing attire for a special day; it is a journey into the heart of Chinese cultural heritage. As modern couples embrace these ceremonial garments, they weave a new chapter into the rich tapestry of Chinese traditions, celebrating love, unity, and the enduring allure of Hanfu weddings.
Hanfu dress is defined by its flowing, loose-fitting design, which gives it a unique and elegant look. Its popularity has increased in recent years as more enthusiasts wear it in their daily life. The one-piece hanfu dress includes styles such as the shenyi, paofu, etc. Although shenyi and paofu are all one-piece garments, they are different in cutting. Shenyi is consisting of an upper garment called yi and a lower garment called chang, which are sewn together to form a one-piece dress. In comparison, paofu is a single-piece robe cut from a single fabric. They both consist of a separate upper garment and a wrap-around skirt called qun as the lower garment and are only different in wearing way. While ruqun has a short shirt called ru as the upper garment covered by the skirt, aoqun has a long jacket called ao as the upper garment covered the skirt. Other than the one-piece style, there’re also some famous styles of two-piece traditional hanfu dress, such as ruqun and aoqun. There are different styles of ruqun and aoqun based on the collar, sleeve, and waist design. They can be adorned with various accessories, such as hairpins, necklaces, and earrings. In addition, a bun hairstyle or braided hair is traditional and perfect for a classic look.
Young Chinese people are increasingly favouring hanfu, clothes once worn by ancient Han Chinese. Explore our visual guide on how to wear hanfu correctly and the economics behind this growing trend. There are many reasons why people still wear hanfu today. This is the second instalment of our two-part graphics series on Chinese hanfu. For some, it signifies a way to reestablish a connection with their Chinese heritage and traditional culture, promoting cultural preservation and continuity. The hanfu movement is progress rather than adhering to past practices, root-seeking rather than just a vintage style, a lifestyle rather than performance. There have been debates within the hanfu community on how to wear hanfu in modern times. For Hanfu Hong Kong, which was founded in 2013, the practice is a way of life that embodies a unique lifestyle choice rather than just a passing trend. Others would prioritise aesthetics above all else, believing hanfu can be worn with fewer strict guidelines. Some see hanfu as a tribute to Chinese civilisation and believe it should be treated with respect and hanfu style rules should be followed. Here are some tips from the local hanfu enthusiasts, showing some common looks that strike a balance between honouring ancient culture, looking good and also being practical for daily wear. Want to start wearing hanfu but worry about getting it wrong? Hanfu enthusiasts from mainland China have compiled a list of commonly used terms associated with knockoff products that can be found online. Examples include: 古裝 (ancient costume), 仙女 (female divinity) , 民族風 (ethnic style), 表演服 (performance), and 貴妃 (imperial concubine). It is difficult for newcomers to distinguish between cheap knockoffs and items created based on historical research. Members of Hanfu Hong Kong encourage people to join their group and share information on acquiring hanfu in the correct format. The Han Chinese people have historically had a strong cultural connection with Confucianism and its teachings, one of which is the idea of ‘filial piety’, or respect for one’s parents. For example, cutting hair was considered harmful to the body, because hair is considered a gift from one’s parents. This belief led to Han Chinese people coiling it up or wearing more elaborate hairstyles instead of cutting their hair. Local hanfu enthusiasts Kaspar, Sammi, Scarlett and Carol share with us some of the most popular hanfu and matching hairstyles. Our bodies, every hair and every bit of skin, are given to us by our parents, and we must not presume to injure or wound them. This is the beginning of filial piety. The hairstyle also shows social status, leaving all the hair untied is considered a bad habit. Ancient paintings and sculptures are always their source of inspiration for hair styling. China’s clothing system has a long history dating back to the Xia dynasty (2100BC) and has gone through various changes and developments over time. By the end of the Qing dynasty (1911AD), western-style clothing had become increasingly popular among the upper class, and traditional Chinese clothing was gradually phased out. For modern hanfu lovers, it’s very common to purchase a semi-readymade wig for styling and to add volume to the hairdo. The modern hanfu industry chain finds its roots in academic and cultural studies, from institutions such as the China Silk Museum in Hangzhou, the country’s largest museum specialising in textiles. These exhibitions have a strong influence on the annual hanfu trend, guiding modern hanfu designers as they create new garments for hanfu enthusiasts. It hosts exhibitions that showcase research and important findings about ancient Chinese clothing. The popularity of hanfu has led to the growth of many related industries. For example, Cao County in Shandong Province is currently the biggest hanfu export centre in China. In Cao County alone, there are more than 2,000 hanfu related enterprises, including hanfu fabric making, embroidery, dyeing, pattern making, hanfu professional pleating, wholesale and retail stores. Currently throughout China there are numerous hanfu organisations that promote activities of all kinds, such as fashion shows and performances. Hanfu rental services have gained significant popularity in recent years. Some tourist attractions like scenic areas and ancient towns (Panmen Scenic Area of Suzhou Ancient City, Ehu Rose cultural Park in Jiangsu, World Kejia Muqinyuan Square in Fujian, Qingyan Ancient Town in Guizhou) offer free admission to people wearing hanfu. These services are especially popular around ancient cities like Beijing and Xian where people could wear hanfu while travelling around the tourist attractions for photo opportunities. They provide visitors the opportunity to experience traditional Chinese clothing and select their desired hanfu style. On the other hand, electronic business platforms like Taobao are the most common way to purchase hanfu products for individual customers. According to a market research in mainland China, the majority of buyers would spend between 100 to 500 yuan (US$14-69) on a single piece.
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What is “Hanfu”? According to Dictionary of Old Chinese Clothing, the term hanfu literally means “Clothing of the Han People.” Chinese researcher Hua Mei, interviewed by student advocates of the Hanfu Movement in 2007, recognizes that defining hanfu is no simple matter, as there was no uniform style of Chinese fashion throughout the millennia of its history. Because of its constant evolution, she questions which period’s style can rightly be regarded as traditional. Nonetheless, she explains that hanfu has historically been used to broadly refer to indigenous Chinese clothing in general. Zhou Xing, cultural anthropologist and professor at Aichi University, states that the term hanfu was not commonly used in ancient times, and referred to some of the costumes worn by Hanfu Movement participants as being historically inaccurate, as they contain modern design elements. Like Hua, he noted that the term hanfu classically referred to the clothing worn by Han people in general, but he argued that there are differences between historical hanfu and the contemporary hanfu introduced by some participants of the movement. The Movement of Hanfu The broadly agreed modern Hanfu Movement may have begun around 2003. In November 2003, Wang Letian from Zhengzhou, China, publicly wore home-made shenyi-style hanfu. They initiated the Hanfu Movement as an initiative in a broader effort to stimulate a Han Chinese cultural renaissance. Wang Letian and his followers inspired others to reflect on the cultural identity of Han Chinese. In the same year of 2003, supporters of Hanfu Movement launched the website Hanwang to promote “traditional Han clothing”. In the early years of the Hanfu Movement, there were no existing stores to purchase hanfu. As such, the first manufacturers and sellers of Hanfu were the early Hanfu enthusiasts who processed the necessary skills to DIY hanfu by themselves. Hanfu enthusiasts around the year 2003 started wearing hanfu in public, building communities of Hanfu enthusiasts and organized activities related to hanfu and traditional Chinese culture. They made hanfu in small quantities, and mainly relied on hanfu forums and enthusiasts communities to advertise their products. Around the year 2005, the first online hanfu store appeared. Since then, more and more hanfu stores emerged both online and offline. Since then, it has been held successfully in subsequent years and is continue to be held annually. In 2013, the first Xitang Hanfu Culture Week was held in the city of Xitang, Zhejiang province. By 2020, according to a study done by Forward Industry Research Institute (a Chinese research institute), the number of hanfu enthusiasts in China has reached 5.163 million, creating a market size equivalent to 6.36 billion yuan (US$980 million), a proportional increase of over 40% compared to the previous year. Nowadays, the hanfu is gaining recognition as the traditional clothing of the Han ethnic group, and has experienced a growing fashion revival among young Han Chinese people in China and in the overseas Chinese diaspora.
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BEIJING, Aug 26 (Reuters) – The moment the metal singer Shui Shu spread his arms, Buddhist prayer beads in hand and incense wafting from the stage, his band unleashed a wall of sound on the crowd. The rapt audience of about 200, many wearing masks, swayed gingerly. By the end of his set, most masks were off. By the time the night’s third band took the stage, the hall was a mosh pit, arms flailing and legs kicking with energy built up during six months of coronavirus shutdowns that kept the lights off in Beijing’s underground music venues. Live venues in Beijing were recently allowed to reopen at 50 percent capacity, as life in China increasingly returns to normal. Brazilian metal fan Daniel da Silva Anana, who had packed in among the moshing fans, said he was more worried about slipping on a floor wet with spilled drinks than the coronavirus. Shui Shu said about his spiritually inspired music that has been released by French label Anesthetize Productions. Shui Shu’s band Bliss-Illusion is part of the country’s small but buoyant heavy metal scene, where bands mix genre standards with Chinese elements. Black metal is a sub-genre that creates a dark, moody atmosphere layering heavily distorted guitars and high-pitched vocals. COVID-19 restrictions had put a halt to rehearsals and performances in a Beijing underground music scene that had been under pressure in recent years, including from local authorities who sometimes shut down events, chinese hanfu pink and green club managers and promoters said. Shunzi, lead singer of folk-metal band Dream Spirit, whose members perform in traditional Chinese hanfu garments, used the downtime to write songs, including one about the workers who built two emergency hospitals in Wuhan, the city where the coronavirus was first detected.
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