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A Couple Holding Hands Stands In The SnowBEIJING, Aug 26 (Reuters) – The moment the metal singer Shui Shu spread his arms, Buddhist prayer beads in hand and incense wafting from the stage, his band unleashed a wall of sound on the crowd. The rapt audience of about 200, many wearing masks, swayed gingerly. By the end of his set, most masks were off. By the time the night’s third band took the stage, the hall was a mosh pit, arms flailing and legs kicking with energy built up during six months of coronavirus shutdowns that kept the lights off in Beijing’s underground music venues. Live venues in Beijing were recently allowed to reopen at 50 percent capacity, as life in China increasingly returns to normal. Brazilian metal fan Daniel da Silva Anana, who had packed in among the moshing fans, said he was more worried about slipping on a floor wet with spilled drinks than the coronavirus. Shui Shu said about his spiritually inspired music that has been released by French label Anesthetize Productions. Shui Shu’s band Bliss-Illusion is part of the country’s small but buoyant heavy metal scene, where bands mix genre standards with Chinese elements. Black metal is a sub-genre that creates a dark, moody atmosphere layering heavily distorted guitars and high-pitched vocals. COVID-19 restrictions had put a halt to rehearsals and performances in a Beijing underground music scene that had been under pressure in recent years, including from local authorities who sometimes shut down events, chinese hanfu pink and green club managers and promoters said. Shunzi, lead singer of folk-metal band Dream Spirit, whose members perform in traditional Chinese hanfu garments, used the downtime to write songs, including one about the workers who built two emergency hospitals in Wuhan, the city where the coronavirus was first detected.

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